We all have stories.  We live through days of outrageous realities, some global, some personal. The fortunate accident is that Constance Hood started writing them down. 

JOURNEYS

We rode trains for ten months with no tickets.

Off the Tracks: A Beatnik Family Journey is based on my 1961 diary.  It was a year of discovery, and I hated it.  Culture shock and going to school in a second language were difficult for an 11 year old who wanted to be one of the girls.  My clothes were funny. Mother dyed everything navy blue so that the coal dust filth of the trains would not show.  I was used to being a stellar student and suddenly I couldn’t read and write in German.  The adults around me were oblivious to rules, laws and even respectable manners.

Something happened.  As an adult, I ventured a second long trip, and this time my fluency in German was an asset.  Our family continued its tradition of hosting exchange students, a tradition that is now in its third generation.  “Uncles”  and “aunts” sprang up everywhere. Over the years we shared joys, successes and losses with the extended European family.   I ventured into the travel industry – for fifteen years.

Eventually I married a road warrior, and our travels have led us to deeper understandings and into more stories.  Islands of Deception: Lying with the Enemy borrows on many of those experiences, long evenings of dinner and wine with key characters, the questions we never would have asked and embraces that promise friendship far into the future.

Please, do come with us.

Published Works

Islands of Deception: Lying with the Enemy  

The 2018 Amazon bestseller is a historical novel based on ten pages of notes that arrived in the mail in 2002. A story emerged. With research and the stories of others threaded through the plots, scenes and characters came to life once again.

“A thrilling, sensitively conceived historical novel.” (Kirkus Reviews)

Shostakovich String Quartet #2, Waltz Dover Quartet

Off-the Tracks: A Beatnik Family Journey

What do a child’s diary, adult memoirs, love letters, and reel-to-reel party tapes have in common?  A real-time account of the transition between 1950s expectations of family members, and the 1960 bohemian life.  It proved a bumpy ride for the children who were towed along behind a mother who decided to drop everything and follow her lover for a year of riding the rails in Europe, no tickets.

 

The Long of It

My first published story appeared at the age of 7.   The Rainy Picnic marked destiny, not because it had rained, but because my second-grade teacher asked me to sit on the floor for hours and carefully letter my little story onto poster paper for a display in the front hall of the school.

It didn’t seem remarkable at the time. Our large goofy family convened for breakfast and dinner at the table. Appearance was mandatory for all young adults, and grandmother presided. Children were to be seen but not heard unless they were invited to share their stories. So, we heard stories. Letters from distant relatives were shared around the dinner table, and there were more stories, jokes, and songs. At 7:00 sharp half of the group in the room bolted out for rehearsals of upcoming productions in Elmira Little Theater or the Chemung County Symphony Choral Society. Grandmother finally got to settle into an easy chair with a book.

Grandmother bought me books, lots of them. She special ordered the Victorian favorites that she had enjoyed as a girl. Everyone had read Black Beauty, but she went on to find “Old Joe” and “Mrs. Wiggs of the Cabbage Patch.”   Shelves full of books began to appear in my room, Albert Payson Terhune animal stories, Richard Halliburton wonders of the world, and Louisa May Alcott. And at the age of 11, my Godparents sent a white leatherette diary for Christmas. I began writing.

We kept letters and photographs in albums and boxes. The stories continued. My thoughts went into random pages of notebooks. I drew as much as I wrote. My mother’s disasters with lovers began to invade my heart. She experienced one shattered hope after another, seeking to find the family life that was our strength. When the other girls were chasing boys, I shut down.

I learned to sing, songs of people, songs of life, and songs of work. The folk movement seized me. The songs led to a full scholarship to Occidental College. Rigorous Comparative Literature courses overwhelmed me. I flipped pages for days at a time, not sure of what I was supposed to learn from them and afraid to participate in class discussions. I ran for Glee Club rehearsals and the costume shop the moment I could to pursue work that had a visible result. I fell in love. Ouch. And then began a six-year relationship with a young man who helped me find myself as a writer and reader. He encouraged me to think for myself and to present my work. I moved from a struggling “B” student to a solid “A” student under his guidance. We were invited to professor’s homes for dinner and conversations, and to share Alice B. Toklas brownies. The notebooks filled.

Adult life began – career, marriage, motherhood, and the death of the family members who had meant so much to me. Boxes of old letters and photos were shipped to California. The antique furniture came in moving vans. I moved into a future, dragging a kicking and screaming past along with me. The journals, letters, and photos began to fill four-drawer filing cabinets. My husband is a talented actor and a voracious reader. Dinnertime stories came back, rooted in the traditions of both our families. Our son filled out conversations with “Errr, Uh, and I dunno” but he purchased his first thrift store filing cabinet when he was 15. He would bring home short stories scored 100/100 from his Honors and AP English classes. “You know mom, you need to sculpt each sentence.” Finally, we had someone with true talent. He headed out to Boston University. A year later he was dead, Lymphoma.

So we are damaged goods. We finally sold our lovely home and moved just so that we could leave some of the grief behind us. There are words for someone who has lost a spouse, widow, widower but there is no place for someone who has lost a child. We still love young people.

It was time to open up the filing cabinets and to make all the papers into stories. Off the Tracks: A Beatnik Family Journey was constructed from that white and gold diary, my mother’s memoirs, re-mastered party tapes from 1961, and countless interviews with folks who were part of our lives.   Mom wanted that story “out there” but not until after she was dead. She didn’t want to deal with the blowback about decisions that she had made 25 years earlier.

Another cabinet held my father’s papers. We had been estranged for 20 years, but he wept in the corner of the hospital room during Eric’s illness. Shortly afterward he wrote out 21 pages of narrative summarizing his activities as a military intelligence operative in World War II. The 50-year non-disclosure clause was now released. Islands of Deception is constructed from those notes, many visits from my aunt, and photos.

What’s next? Scrap Lumber will be the working title of the next project until I find something I like better. In 1985 an old house at the bottom of our canyon was abandoned and vandalized. With a big career and a baby, I was impelled to relocate and restore the structure. A year after the house was moved, the love of my life showed at the front door and we spent the next 25 years restoring the 1909 home. The old lady’s resilience and ours are woven together into a story of risk and commitment. I’ll be opening that filing cabinet next.

 

PROFESSIONAL CREDITS

Constance Hood has earned professional credits as an artist and a writer in both theatre and classical music. These interests and her passion for storytelling first emerged in her years as a student at Occidental College where she earned her BA in Comparative Literature as well as a minor in music.

Publication Credits

  • Music Center Education Division ArtSource
  • Los Angeles Center Theatre Group Annenberg Grant
  • CAG (California Education of Gifted) Magazine
  • LA Parent Magazine
  • SRA – Mac Millan Textbooks
  • Craftsman Homeowner Magazine

Ms. Hood’s day job was as a literacy expert, educating students from “Which way do you hold the book?” through Advanced Placement Writing skills.  She served in the Los Angeles City Schools as a teacher, Literacy Coach, and Grants Coordinator, picking up graduate degrees in education along the way.

 

Historical Fiction

After retiring from teaching the Hoods moved to the beach to get more quality time playing with dogs. Instead she opened up five filing cabinets of memoirs, journals, party tapes and documents that had been passed on.  There were tales to be told. Her first book Off the Tracks: A Beatnik Family Journey is based on her experiences living in Germany during the Cold War, transparent impressions recorded by an 11 year old with a diary.

Islands of Deception: Lying with the Enemy is receiving strong critical acclaim. It is based on the  experiences of an immigrant US Army intelligence officer. After leaving his family behind in Holland, he begins life again as a would-be American while his Jewish family and friends face annihilation. He joins the military in an effort to go back and fight for Europe, but instead he is thrown into the Pacific jungles with no weapons except a camera and an excellent nose for information.

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